Modern Architecture pt6

In his essay painter of modern life (1859-1860) by Charles Baudelaire called the art

of his time to take note of the changes in society . Baudelaire chose the writings in

" MG ", which was a French illustrator Constantin Guys ( 1802-1892 ) . Him , in turn,

was later many modernist artists such as Claude Monet and Schjerfbeck cynosure .

Baudelaire wrote Guys'stä :
"He 's looking for something , what I may say what I would call ' modern ' , a word

which happen to are not available to express this idea . He tends to separate the

fashions of the historicity contained in the poetic , the fleetingness contained in

the eternal . The modern , it is a transient , fleeting , random , it is the

half of art whose other half is the eternal and unchanging. "
Late 1800s, the production created by Friedrich Nietzsche's major anti- modernist

literature was an attempt to break into the rational and systematic thinking behind

the life of the driving forces : irrational elämäntuntoon . Nietzsche also denounced

the Christian faith that it denies the relevance of this side of life .
The emergence of modernism influenced by a number of the early 1900s took place in the

society and culture events : new , revolutionary conceptions of natural and human -

like general science , industrialization and urbanization , as well as the First World

War 1914-1918 . For example, movie, and photo art brought a new way to perceive

reality and also affected , as well as literary , and artistic expression on the way .
Sigmund Freud and Carl Jung brought the debate on targets already Friedrich Nietzsche

and Henri Bergson's activities foreseen by the views of instinct and unconscious

significance of the human rational alleged actions here . They were considered

demonstrated the illusory idea that the individual is able to manage perfectly

rational faculty, Selves and operations. Freud developed psychoanalysis shared the

mental life of three layers - instincts, and instincts to form , the power of life

productive " to "  ,  an active and conscious "myself " ( Ego ), and

mother's vitality productive drive pulses to control , but (and suppression ) "

Overself " ( Superego ) . Psychoanalysis gave modern writers means to understand human

experience.